19世纪瑞典风景画家阿尔弗雷德·沃尔伯格(Alfred Wahlberg)曾在斯德哥尔摩和杜塞尔多夫(Dusseldorf)短暂学习，但在巴黎受到了现代法国绘画的影响，他的作品既表现了北方画派的阴郁阴郁，又表现了法国画家的明亮色调。在他的很多作品中，甚至是那些我可能认为比较古老且不太受法国风格影响的作品，你可以在绘画中看到出乎意料的开放、松散的毛笔作品，在较小的复制品中看起来更加紧密。沃尔伯格的作品经常被戏剧化地照亮，傍晚的太阳穿过风景，或者聚光灯穿透云层。贯穿始终的是美妙的纹理元素，在表现和表面的油漆。
19th century Swedish landscape painter Alfred Wahlberg studied briefly in Stockholm and in Dusseldorf, but took influence from his exposure to modern French painting in Paris; and his work shows both the dark moodiness of the northern schools and the brighter palette of the French painters. In much of his work, even pieces that I might assume to be older and not as much influenced by the French styles, you can see unexpectedly open, loose brush work in paintings the look more tightly rendered in smaller reproductions. There are some relatively large images on an ad-laced Ukrainian site at nevspic.com and some medium sized images on the Scandinavian auction site Bukowskis that lead to high-resolution versions for those who care to create a free account. Wahlberg’s compositions are often theatrically lit, with late day sun cutting across the landscape or carving spotlights through breaks in clouds. Throughout are wonderful textural elements, both in the representation and in the surface of the paint. <
