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走进时代展馆,仿佛置身科幻大片现场

2020-09-03 2039 0
时代展馆设计       

对于这个时代,无论人们是否理解,它都已经存在。——谷腾

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      设计师的工作是一项积极介入到空间中的行动,它一方面针对空间的现状、特征和问题展开设计工作,另一方面在时间的磨砺和沉淀当中,建构设计的时空关系、社会价值和未来意义。

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      空间和时间是设计中必须直面的两个向度,设计既要面对场所,又要针对于这个时代的现实。设计从来就不只是一种手法或者纯技术的表达,它是对当下这个时代和置身之地的认知和判断,是一个时代思想的形状。

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      谷腾作为这个展馆的总设计师,基于对时代中国的品牌解读,提出了“启示录”的空间概念,并提炼了“空间”、“物质”和“能量”三个关键词,进而对这个概念进行设计上的回应。谷腾认为时代中国并不缺一个常规的、标准化的展馆,对于一家低调而富有创新精神的企业集团而言,“展示意味着什么”比“展示什么”更重要,退一步去思考设计和空间的有限性,比彰显设计的无所不能要更为理性和更具人文意义。因为真正有效的展示不是宣导,而是基于感受所生发出来的“共时”与“共情”。

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      以往的空间设计大多都是静态的,是设想与计划成一种“不变”的结果,这种设计逻辑从古至今几乎没有本质上的变化,只是随着文明和科技的发展,所运用的材料和技术在不断地革新,以塑造与当下匹配的空间效果。

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      在时代展馆中,谷腾颠覆了空间和陈设品之间的物理关系,让整个空间可以灵活折叠,人在其中流动,空间随着人的流动而相应移动,人的流动轨迹是空间折叠的核心逻辑和主导者,而不是像惯常的既定空间,人只是被动的观看者、信息接收者、一个被宣导的角色。把设计隐藏起来,不留痕迹。时代展馆虽然呈现出超现实主义的气息,但大音希声,大象无形,人们走进空间,被其中的能量所感染,形成记忆,甚至影响人的梦境。

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      作为时代中国控股有限公司成立20周年的空间作品,时代展馆不仅为企业构建了一个叙述空间,空间自身也成为一个能量激发的媒介。正如空间宣传片中的舞者与空间的交融,展示出空间的轻盈与漂浮,而当画面转入到灰暗面时,反差时空的作用力,让空间散发出历史与人文的思辨性。也许对于时代中国而言,这已经不是一个叙说企业自身故事的场所,它成为时代精神集结的媒介,是时代文化当中,清澈而明亮的所在,它甚至可以塑造人们对于一个时代的记忆,对社会的使命及生命的思索。

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