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10000株植物的室内装置

2018-10-23 2223 0
Baracco+Wright建筑事务所的策展人Mauro Baracco和Louise Wright与艺术家Linda Tegg合作,创造了草原修复项目,这是一项对维多利亚州东南部的草原进行了10000株植物的修复。活动室内装置横跨展馆的大部分区域,延伸到室外空间,通过走道,观众可以在65种西部平原草原植物之间穿行。2018年双年展的主题是“修复”,在一份新闻稿中,它被描述为一种考虑建筑如何能在其所在的地方起到修复作用。18世纪中期的维多利亚,只有百分之一的草原仍然存在——主要是城市化和工业用地的结果——所以对于巴拉科、莱特和泰格来说,草原的修复表明了人类占用土地的真正代价。策展人说,展出的植物面积与展馆的面积相似。它的面积也比澳大利亚普通家庭住宅要小。由于没有该地区的历史背景,这个装置只是另一个非常适合自拍的室内花园,但由于他让人类了解到人类活动对土著物种造成的影响,它变成了一种行动的号召,呼吁人们采取行动,试图挽回我们所造成的破坏。2018年威尼斯建筑双年展将持续到2018年11月25日。

All images by Rory GardinerFor Australia’s Venice Architecture Biennale pavilion, curators Mauro Baracco and Louise Wright, of Baracco+Wright Architects worked with artist Linda Tegg to create Grasslands Repair, a 10,000-plant recreation of the grasslands of southeast Victoria. The living indoor installation spans much of the pavilion and extends to its outdoor space, with walkways that allow viewers to move among the 65 species of Western Plains Grasslands plants.The theme for the 2018 biennale (which opened in May) is “Repair,which was described in a press release as a way of considering how architecture can “play a role in repairing the places it is part of.only one percent of the grasslands of mid-18th century Victoria still exists— largely the result of urbanization and industrial land use — so for Baracco, Wright, and Tegg, Grasslands Repair shows the real cost of human land occupation. “The area of plants exhibited is similar to that taken up by the pavilion,the curators said. “It is also a smaller area than that of an average Australian family house. Such an area takes around an hour to bulldoze.”Supporting the living garden from above is an installation called Skylight, which uses LEDs as an artificial light source since the walls and ceiling of the structure block the sun. Throughout the biennale, films that explore the theme of Repair are screened on the walls of the Grasslands Repair installation, including Ground, which was created by Baracco+Wright and Tegg in collaboration with David Fox. Without the history of the region for context, the installation is just another indoor garden perfectly suited for selfies, but with the knowledge of what human interaction has done to indigenous species, it becomes a call to action to try and undo the damage we have done.The 2018 Venice Architecture Biennale continues through November 25, 2018. (via Dezeen)
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