当前位置: 首页 > 设计资讯 > 设计欣赏 > 正文

数字雕刻成的彩色笔触

2018-10-22 1644 10
通过绘画和数码手法的结合来探索这个人物,在抽象的三维空间中呈现出分割的半身像和身体。在画完一系列单独的笔触后,石头用几个软件程序拍摄这些手势并围绕数字图形进行雕刻。被包裹的人物在嵌入的阴影上盘旋、扭曲和扭曲,给人以深度的错觉。最后的场景被印在原始的亚麻布上。

“Being Reliant, Not Being Reliant, Being Not Reliant” (2016), Digital print and acrylic on linen, 71 x 47 inchesMatthew Stone explores the figure through a combination of painting and digital manipulation, presenting segmented busts and bodies splayed out in abstracted three-dimensional spaces. After painting a series of individual brushstrokes, Stone photographs the gestures and sculpts them around digital figures using several software programs. The wrapped figures hover, twist, and contort above embedded shadows which give the illusion of depth. The final scenes are then printed onto raw linen. These digital paintings were presented as part of Stone’s recent solo exhibition Healing With Wounds at Somerset House in London, which closed in late August. You can see more of his work on his website and Instagram.“Noble Intentions”, Digital print and acrylic on linen, 47 x 35 inches“Fear of Not Being Needed” (2016), Digital print and acrylic on linen, 98 x 130 inches“Freedom/Optimism” (2016), Digital print and acrylic on linen, 47 x 35 inches“Healing With Wounds” (2016), Digital print and acrylic on linen, 47 x 35 inches“Don’t Leave Me” (2016), Digital print and acrylic on linen, 63 x 47 inches“Accusatory (Upper Chest)” (2016), Digital print and acrylic on linen, 71 x 47 inches
16
评论区(0)
正在加载评论...
相关推荐