新沉思的女性半身像铸造

多伦多的雕刻家Gosia(先前)用各种材料，包括陶瓷、聚合物石膏、树脂和最近的瓷器，为沉思的女性设计了色彩最淡雅的瓷半身塑像。这部作品是一个不完美的演员，这是Gosia在以下文章中详述的一个错误，她解释说。我对它的意图完全不同，但当它从模具中出来时，它在脸左边有一个凹痕，它让我思考了很多关于世界对完美的痴迷(以及我自己的)，以及我们可能因此而错过的东西。放手控制，让我的艺术做自己的事情，感觉很好。其他的新作品包括《溢流》(Overflow)，它以一个细长立方体内的女性形象为特色。这条长长的头发流进了基座，这是一种结构，它似乎立刻支持并吞噬了这个嵌入的图形。另外两件作品都是在表面下命名的，是用不透明和透明的材料组合而成的。半透明树脂构成雕塑底部’脸对着鼻子，让它看起来好像每个人都在水下部分浸没。

Toronto-based sculptor Gosia (previously) constructs minimally-hued porcelain busts of contemplative female forms from a variety of materials, including ceramic, polymer gypsum, resin, and most recently, porcelain. Her very first experiment with the new medium is included in her current solo exhibition, Beneath the Surface, at Paradigm Gallery in Philadelphia. The work is an imperfect cast, a mistake which Gosia details in the text below.“Imperfect is one of those ‘happy accident’ pieces,she explains. “My intention for it was completely different, but when it came out of the mold it had an indentation on the left side of the face… It made me think a lot about the world’s obsession (and my own) with perfection and what we might be missing because of it. It felt good to let go of control and for once let my art do its own thing.”Other new works include Overflow, which features a female figure inside of an elongated cube. The subject’s long hair flows into the pedestal’s depths—a structure that seems to at once support and swallow the imbedded figure. Two other pieces are each titled Beneath the Surface, and were created with the combination of opaque and lucid materials. Translucent resin composes the bottom the sculptures’ faces to their nose, making it appear as if each have dipped partially underwater.“Beneath the Surfaceruns through June 16 at Paradigm Gallery. Gosia’s first European show, “The Windows of the Soul,opened this past weekend at Dorothy Circus in London. You can see more of Gosia’s work on her website and Instagram.“Overflow”“Beneath the Surface”“Beneath the Surface”“Moon”“Imperfect”